Arts & Culture of Karnataka
DANCES
Kunitha
Karnataka is a treasure trove of ritualistic dances, all denoted by the generic
term Kunitha.
Devare Thatte Kunitha, Yellammana Kunitha,
Suggi Kunitha and others take their name from the deity or the symbol or instruments
which are balanced on the head or held in the hand of the dancer. The Pata Kunitha
(a dance by men carrying tall bamboo poles decorated with coloured ribbons and
crowned with a tiny silver or brass umbrella), the Gorava Kunitha (a dance performed
by men in a black rug-like costume with fur caps and carrying percussion instruments
and flutes) and the Kamsale (originally a religious dance, performed by men
with cymbals) are some of the other common ritual dances.
Dollu Kunitha is a popular drum dance of Karnataka accompanied by singing. The
men of the shepherd community known as the Kuruba community perform the vigorous
drum dance. Powerful drumming, acrobatic movements and synchronised group formations
mark the dance. Drums are decorated with coloured cloth and slung around the
necks of the percussionists.Puja Kunitha is another dance, in which a wooden
structure with a deity is carried on the dancers heads.
Classical
Dances
The Mysore style of Bharatanatyam, which is the oldest and most popular form
of classical dance in India, is widely performed here. Other mainstream classical
dances here include Kuchipudi and Kathak.
MUSIC
Shree Ramaseva Mandali
The Ramanavami celebrations herald the music season in the Garden City, when
music lovers are treated to a fare of traditional live music concerts at the
Fort School Grounds at Chamrajpet in south Bangalore. This annual
music festival is organised by Shree Ramaseva Mandali, founded by S. V. Narayanaswamy
Rao 60 years ago to celebrate Ramanavami with a series of concerts and dance
programmes.
The Mandali has now become an inseperable part of Bangalores cultural
landscape, bringing together music maestros like Veena Doraiswamy Iyengar, T.
R. Mahaalingam, M. S. Subhalakshmi, Chemmagudi and K. J. Yesudas.
Imbued with the devotion of Kanaka Dasa and Purandara Dasa, the music of Karnataka
flourished under the royal patronage of the Vijayanagar Empire and the Wodeyars.
Direct in descent in the Mysore Veena tradition are Veena Seshanna and Veena
Doreswamy Iyengar. T. Chowdiah, who gave the violin in Carnatic music a new
character altogether. Gangubai Hangal, Bhimsen Joshi, Mallikarjuna Mansur, Kumar
Gandharwa, Basavaraj Rajguru and Puttaraj Gavai are some of the illustrious
names in Karnatakas contribution to Hindustani music.
FOLK
Nagamandala
The People of Dakshina Kannada perform an elaborate ritual called Nagamandala
to appease the serpent spirit. It is conducted in an extravagant manner throughout
the night, wherein dancers known as the Vaidyas dress themselves as nagakannikas
and dance the night away. The Vaidyas cavort around an elaborate serpent design
drawn with natural colours on the sacred ground, in a pandal
specially
erected in front of the shrine. This nocturnal ritual is performed from December
to April.
Bhootha Aradhane
No less interesting is the Bhootha Aradhane or devil worship, very common in
the coastal towns of Karnataka. Idols representing bhoothas are
taken out in a procession to the beating of drums and bursting of firecrackers.
As the procession ends, the idols are placed on a pedestal. With sword and jingling
bells, a dancer whirls round in imitation of the devil he represents. Frantically
pacing up and down, he enters into a state of possession and acts as an oracle.
Krishna Parijatha
A folk theatre art form popular in Uttar Karnataka. It is a combination of Yakshagana
and Byalatta with themes culled from the great epic Mahabharata.
DRAMA
Togalu Bombeaata
The ancient art of leather puppetry draws heavily from mythology, especially
stories from the Ramayana and the Mahabharata. This art form is still prevalent
in some remote villages. In some places, puppetry is performed to seek rain
or a good harvest or to get rid of a
disease
or pestilence.
Yakshagana
A trip to the coastal belt would be incomplete
without watching the Yakshagana an elaborate dance-drama performance
unique to Karnataka. It is a rare combination of dance, music, songs, scholarly
dialogues and colourful costumes. A celestial world unfolds before the audience
as loud singing and drumming form a backdrop to dancers clad in striking costumes.
Hence the name Yaksha (celestial) Gana (music). This is a night-long event,
with elaborately adorned performers dancing to the beating of drums in open-air
theatres - usually village paddy fields after the winter crop has been reaped.
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