Sculpture and architectural panels and friezes dating to the 10th
and 12th century correspond to the temple styles and are mainly Brahmanical
and Jain in influence. However, the seated Buddha figure indicates the existence
of a Buddhist shrine here which has long since disappeared. Most of the 2000
objects are masterpieces of Indian sculpture. The Nritta Gansha, a. colossal
image depicts the elephant headed god dancing while his attendants keep the
rhythm; a marvellous Hari-Haro representing the deity whose right half is Shiva
and left Vishnu manifests the perfectly conceived unity of the two gods.
Also o view is the Uma-Maheshwara, frozen in perpetual embrace; the Jain
goddess Ambika under a mango tree laden with fruit which monkeys are eating;
the lain sasana-devi Manovega holding a spiral lotus stalk and the upright
Adinatha, the first Jain tirthankara. An unusual piece is the four-headed Vishnu,
Vaikuntha. The central head is human, while the other three are Narasimha
(lion), Varaha (boar) and Hayagrim (horse). There is also a bracket
where an apsara wrings her wet hair while a goose stands below drinking
the drops of the water. Other outstanding pieces are a huge Parvati, Shiva as
Andhakasuravadhamurti where the deity is shown weilding his trishul on
a demon, a seated Bhairava and Sadashiva..