Mehrangarh Fort
There
are seven gates, which include Jayapol meaning victory built by Maharaja Man
Singh to commemorate his victories over Jaipur and Bikaner armies. Fattehpol
also meaning victory gate was built by Maharaja Ajit Singh to mark the defeat
of Mughals. And Lohapol meaning iron gate has a moving memorabilia on palm print
of the queens of Maharaja Man Singh who threw themselves on his funeral pyre
in an act of sati [self-immolation]. The palm imprints still attract devotional
attention and are covered by vermilion paste and paper-thin silver foil.
This is one of the finest museums in Rajasthan and certainly the best layed
out. In the palanquin section of the fort museum, you can see an interesting
collection of old royal palanquins including the elaborate domed gilt Mahadol
palanquin, which was won in a battle from the Governor of Gujarat in 1730. The
museum exhibits the heritage of the Rathores in arms, costumes, paintings and
decorated period rooms.
PHOOL MAHAL
The grandest of Mehrangarh's period rooms, the Phool Mahal was in all likely
hood a private and exclusive chamber of pleasure dancing girls once swooned
in exhaustion here under a ceiling rich in gold filigree. The Phool Mahal was
created by Maharaja Abhaya Singh (1724-1749) and the gold came from Ahmedabad
in Gujarat as war booty after his famous victory over the rebellious Mughal
governor, Sarbuland Khan. The paintings, royal portraits and the ever-popular
raga mala, came much later, in the reign of Jaswant Singh II.
JHANKI MAHAL
The Jhanki Mahal, from where the royal ladies watched the official proceedings,
in the courtyard, today houses a rich collection of the royal cradles. The cradles
are decorated with gilt mirrors and figures of fairies, elephant and birds.